刺激技术赋予非侵点文化遗产技巧和千年龄的s
栏目:行业动态 发布时间:2025-05-28 10:30
[中国文化之旅]◎报纸的记者刘海,实习生李·朗兹(Li Rongzhi),针头可以编织花朵,鸟类,昆虫和鱼,彼此跳跃,或者互相涂上山上,山脉,河流和河流,并对您诚实。经线和纬线与华丽的Shu锦缎相连,具有华丽的色彩,丰富的图案,硬质感和独特的幕。 Shu brocade翻译了“英国”一词的无与伦比的美。 Shu brocade专门指的是Shu(Chengdu地区)制造的Jacquard编织面料。它们以鲜艳的色彩,精细的编织图案,全花形状和硬质感而闻名。他们首先将Shu Brocades,Song Brocades,Brocades和Zhuang Brocades的“四个著名的锦缎”排名,并被称为“世界母亲锦缎”。 “ Shu Brocade行业目前在非常好的Psopportunity and Development中团结在一起。作为一个从事该行业的老人数十年,我相信Shu brocade的未来会更好。”最近Hu Guangjun是Shu Brocade Weaving Technology省的一个省,是国家无形文化遗产的代表项目,也是Chengdu Ancient Shu Brocade Research Institute的总监,来自科学技术日的记者。西方地区企业家的场景吸引顾客并在王国的王朝和十次的丝绸之路上出售舒克·锦缎,表明舒锦缎的影响很大。成都是一个以Shu Brocade而闻名的城市,自汉朝以来就建立了Shu Bracade的专业机构,并建立了“ Jinguman”来处理其活动,因此被称为“ Jincheng”和“ Jinguancheng”。胡格朱恩说:“在Sui和Tang王朝期间,Shu锦缎的规模和技巧都是繁荣的。通过汉和唐王朝,舒·锦缎成为散布在古老丝绸之路上的主要商品之一。”现在走在成都的街道上Ng和Zhujinlou每个人都讲述了舒吉和这座城市之间的密切联系。此外,传统上是手工制作的Shu brocade具有复杂而复杂的过程,并且每天只能交织8厘米,因此被称为“一英寸的锦缎和每一枚黄金”。 "Completion of a shu brocade should go through a series of processes such as design, finishing, work design, flower selection, installation, weaving, etc. If the whole process is counted in detail, the way can be reached. Get" weaving "as an example. It seems like just a process of weaving, but the skills involved are relatively complicated, with the grinding of combinations, workers, workers, workers, workers, workers, workers, workers, workers, workers, workers, workers, workers, workers, workers, workers, workers, workers, workers, workers, workers, workers, workers, workers, workers, workers, workers, workers, workers, workers, workers, workers, workers, workers, workers, workers, workers, workers, workers,工人,工人,工人,工人,工人,工人,工人,工人,工人,工人,工人,工人,工人,工人,工人,工人,工人,工人,工人,工人,工人,工人,工人,工人,工人,工人,工人,工人,工人。开花是班车,关节,关节等。基于传统技能的继承,舒恩在现代设计,现代的科学和技术方式和市场扩展的基础上逐渐朝着复活朝着复活方向逐渐发展。技术改变了Shu Jin的“记忆”,例如支持四川省级关键实验室的数字保护,不仅关注Shu Bracade Shu刺绣文化的保护和遗传,还对一系列有关困难,痛苦点和主要行业技术进行了一系列创新的研究Gital编织”和“数字刺绣”和其他项目不仅提供数字解决方案来升级编织和绣花行业,还为纺织无形文化遗产数字文化旅游业的新场景创新,向游客展示了游客的“不同的美容”。 Sichuan and embroidery that is not a cultural heritage to achieve protection ng high levels and high quality development. As a major force in this process, Chengdu Textile School explored and evaluated the source, development and interpretation of more than 400 SHU brocade patterns, and successfully established a "gene bank" of traditional patterns. Currently, the school team is dedicated to the construction of chromatography in the Tang Dynasty, to more comprehensively restore Shujin的历史风格不仅意味着新的活力在传统的编织技术中,但也以现代方式解释了千年文化的独特美。 Shu brocade的独特作品为遗产和无条件文化遗产的变化带来了新的态度。